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THE AIATSIS COLLECTION OF ART


 
Nym Bandak, Ju Wadatji and Kukbi
(Rock Python and Black-nosed Python)

1959
 
 


NYM BANDAK AND W.E.H. STANNER

In 1958 and 1959 Nym Bandak, a Murrinhpatha man of the Diminhin clan, painted a number of pictures for his friend, anthropologist W.E.H. Stanner. He created the paintings within his Diminhim country, at the mission at Port Keats (Wadeye) on the south west coast of the Northern Territory. Bandak (had) met Stanner in 1935 when the latter traveled with ... a small group of Catholic missionaries to a remote area north of the Fitzmaurice River to establish a mission in the vicinity of Port Keats. At the time of the journey the Port Keats area was virtually unknown to Europeans but was thought to be home to warlike groups of Aboriginal people.

During (this) ... and on subsequent trips, Stanner spent a great deal of time with Bandak and they developed a close friendship and working relationship. the education Stanner received from Bandak and others whom he met at Daly River and Port Keats in this period strongly influenced his scholarship and helped establish him as a significant figure in anthropological circles. Within his own cultural milieu and community through a period of massive social change when they were confronted with the pervasive influence of Europeanism on their lives. Stanner and the missionaries were made welcome when they arrived on Diminhin land, but they found a group of coastal people engaged in factional disputes that often erupted into spear fights followed by tense stand-offs.

... Initially, Aboriginal people came to the mission for European goods such as tobacco, flour, tea and sugar. Gradually many of the coastal groups came to live at the settlement and this created tension between Bandak's Diminhim group and others living on their land ... A silent battle was also being waged on another front between the value system of the European Christian tradition and that ordained by the Dreaming.

... In the course of his fieldwork in 1958, Stanner showed Bandak and a number of his kinsmen a topographic map of the Port Keats area, commissioned by the Australian National University... After viewing the European map, Bandak asked Stanner whether he would like him to create some maps. Stanner agreed and provided Bandak with sheets of composition board on which to paint.

The paintings by Bandak were designed to convey to his friend ... an understanding of the political and social meaning of the landscape in the Port Keats area and the form of the Murrinhpatha social world. They, with Stanner's notes, provide an insight into the philosophical basis of Murrinhpatha thought and institutions. Shortly after the creation of these paintings Stanner published significant works on Aboriginal symbolism, religion and land ownership. While all of these works were influenced by Stanner's collaboration with Bandak, it is within Stanner's famous monograph On Aboriginal Religion where the influence of Bandak and of his 1958 and 1959 paintings is most apparent.

Stanner went on to become an important figure in Australian anthropology and within Aboriginal affairs. The education he received from Nym Bandak, and others within the Daly River area, contributed to his ability to make significant contributions to the debate which eventuated in the Aboriginal Land Rights (Northern Territory) Act 1976 and the progress of a number of land claims under that Act.

The changes created in the outside world by Stanner and others, led to the Daly River Reserve and the Port Keats community becoming recognised as Aboriginal land under Australian law. Shortly after Stanner's last visit to Port Keats the Mission became an Aboriginal community. Once again the Aboriginal political systems and principles described by Bandak in his paintings were explicitly recognised as the cultural design which governs the Aboriginal world.

To the outside world Nym Bandak became known as an artist, at a time when Aboriginal art was virtually unknown beyond academic circles ... He is, however, remembered best by his kinsmen and family as a significant figure whose adherence to, and teaching of, Aboriginal cultural values and principles contributed to their survival in a rapidly changing world.

 
 
KIM BARBER
 
     
   
 

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